During their original run, Stornoway achieved immense critical acclaim, fan adoration and two Top 20 albums, one of which (their debut ‘Beachcomber’s Windowsill’) was certified Silver. But in 2016 they announced that they were ending on a high (2015’s ‘Bonxie’ being “their best album yet” according to The Guardian) with the following year’s farewell tour, although their rapturously received WOMAD set (“a magnificent farewell”, The Spectator) was delayed until 2022. They still earned new fans, however, when their version of ‘The Only Way Is Up’ exceeded 2 million streams after being used in an advert and in various TV shows. Vocalist/guitarist Brian Briggs stopped songwriting altogether and instead pursued a new career passion managing a wetland for water voles and lapwings.
Nonetheless, Brian and bandmates Jon Ouin (keyboard) and Oli Steadman (bass) stayed in touch, and step-by-step they reconnected with the love of creating music that had first inspired them to start a band. With Brian writing in a makeshift studio on a remote coastal hilltop and Jon readying a series of ideas of his own, eventually an entirely unexpected fourth Stornoway album emerged - ‘Dig The Mountain!’.
The trio all contributed to the record from their own locations: Brian in southwest Wales, Oli in southeast London and Jon in Oxford, with Mike Lindsay of acid folk pioneers Tunng on production duties. Mike Monaghan (Gaz Coombes, Saint Etienne) contributes drums throughout replacing Oli’s brother Rob who isn’t part of this new chapter of Stornoway having started a new life in America.
The album is packed with inspiring collaborations. Sam Lee features on the sinuous, woodsy folk-funk of ‘The Navigator’; Chinese musician Yijia Tu contributes gorgeous vocals to Stornoway’s rootsy take on Björk’s ‘It’s Not Up To You’; Guillemot Fyfe Dangerfield sings on ‘Anwen’, a song inspired by Brian’s daughter’s joyful dancing; former Black Mountains poet Paul Henry wrote the lyrics for ‘Kicking The Stone’; and Gareth Bonello (The Gentle Good) wrote the original version of ‘The Fisherman’ before it was reinvented by Stornoway.
