Recorded in Iceland and featuring Sinead O’Connor on guest vocals, the brilliant "Pale Green Ghosts" adds sublime notes of dark, gleaming electronica to the anticipated velveteen ballads, calling on all of Grant’s influences and tastes, presenting an artist at the peak of his powers.
 
If Queen Of Denmark is Grant’s ‘70s album, channeling the spirits of Karen Carpenter and Bread, then Pale Green Ghosts is his ’80s album. Of the electronic tracks, the title track is a panoramic, brooding classic, while ‘Sensitive New Age Guy’ and ‘Black Belt’ are the tracks that you might dance to in new wave clubs. ‘You Don’t Have To’ is a classic example of Grant’s influences blending together, in a reworked arrangement of a track unveiled during concert tours in 2011. It also features the distinct spacey Moog sounds that are familiar to lovers of Queen Of Denmark, while McKenzie and Alexander play on ‘Vietnam’ and ‘It Doesn’t Matter To Him’. Grant’s touring partner, keyboardist Chris Pemberton, plays the gorgeous piano coda on the album’s tumultuous finale ‘Glacier’.